Acting & Directing
The artistic and educational dimension of acting — for stage and screen — and of direction. Work rooted in the physical technique of Jacques Lecoq, where gesture, movement and physical presence become language before words, interwoven with the emotional and introspective depth of the Strasberg method and the Stanislavski approach, which ask the performer to draw on their own inner truth and return it on stage. An actor’s path that moves fluidly between theatre and cinema, training the ability to adapt energy, breath and presence to the different codes of the two languages. Guiding this work is a direction that thinks in images and bodies at once: theatrical in its care for scenic composition and its living relationship with space, visual in its cinematic sensibility for framing and rhythm — two gazes that merge to give each performer back the fullness of their own uniqueness, beyond every label.
